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Jeff Kaiser & Phil Skaller - 2012 - Endless Pie (FLAC, 2CD, pfMENTUM 72)

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Torrent File Content (33 files)

Description

Music : Jazz : Lossless
      

pfMENTUM CD072.

CD1 Blueberry
1. Unchangeable Fundament 13:15
2. Image Of A Punctiform
3:35
3. People From The Machinations 8:50
4. Two Unknowns, The One Being 6:07
5. Galileo Uses Propaganda
6:39
6. Anticipated By Bacon 4:42
7. No Immediate Theoretical 3:36
8. Alongside A Moving Tower 3:42

CD2 Cherry
1. The Puppet Does Not Have A Soul 14:54
2. Backward Intersection 5:29
3. Occured
Without Noticeable 2:37
4. Absence Of Any Proper Notion 5:29
5. Behave Very Much Like After-Images 7:44
6. We Must Retain 6:34
7. The Problem Of Telescopic Vision 2:27
8. As Some Relics 6:04
9.
Well-Determined Exceptions 1:31
10. This Paratactic 5:19

Recorded live in Studio A, University of
California San Diego, November 21-22, 2010
Recording engineers: Joe Kucera and Clint Davis
Mixing, mastering,
design: Jeff Kaiser, July 2012

Endless Pie is...
Jeff Kaiser: trumpet, flugelhorn, voice,
electronics
Phil Skaller: prepared piano

Trumpet + piano duos are a relatively rare commodity in
jazz — and this collaboration between Jeff Kaiser and Phil Skaller is not going to remind anyone of Wynton
Marsalis and Marcus Roberts. For that matter Endless Pie is a disc so severe that it makes Raphe Malik and Cecil Taylor
sound like Ruby Braff and Dick Hyman.
Endless Pie is a double CD: each disc leading off with an appropriately
monstrous tour-de-force. "Unchangeable Fundament," kicks off Disc 1, Kaiser's fat smears layering over
tinkling piano before morphing into hilarious vocalizations that have a schizophrenic quality. All the while, Skaller
invents a backdrop of grueling, muted repetitions and instrumental disguises from his prepared piano--which can imitate
alien textures, forces-of-nature and cartoon-ish gibberish. As the pianist narrows in on stuttering repetitions that
reminded me of a stenographer with OCD, Kaiser unleashes an obscene series of overdriven squeaks like a balloon being
molested by a seriously unbalanced child.
Kaiser uses trumpet, flugelhorn and his voice in tandem with live
electronics (a lap-top running Max MSP), so despite what you think you are hearing, there are no overdubs and just these
two musicians.
On "Image of a Punctiform," Skaller's prepared piano rumbles, plinks and breaks into
passages of basso-profondo while Kaiser's acoustic horn races along like a drunken "Flight of the Bumblebee,"
before loping into leviathan foghorns followed by tortured split-tones.
The pianist obtains a strange brew of
koto-meets music box aesthetic on "Alongside A Moving Tower," and weird percussive inside the piano effects on
"Two Unknowns, the One Being," over which Kaiser applies wide swaths of rubbery vibrato.
Disc 2 opens
with "The Puppet Does Not Have a Soul," Skaller's manic fingerings recalling Cecil Taylor at a toy-piano. Each
musician contributes to an exhaustive exchange of energetic discourse--tossing ideas like poison daggers, building
swells of caterwaul and dropping into moments of near silence. Kaiser sputters, screeches and blows columns of smog into
his mouthpiece before the piece transitions into an intense and disturbing squeal-athon that sounds like a wolverine
raiding a ferret nest.
"Occurred without Noticeable," by contrast, features tiny, micro-gestures where
Skaller's piano imitates a can being kicked, or crickets in the night while Kaiser burbles and bubbles like soup on a
low boil.
For those with an ear tuned toward adventure-- Endless Pie is indispensable. Where else are you going to
find titles like "Galileo Uses Propaganda," or "Anticipated by Bacon" ? Endless Fun could easily
have been the name for this highly entertaining disc. - Robert Bush, sandiegoreader.com

Endless Pie [2 CD
set] (pfMentum 072; USA) Jeff Kaiser on trumpet, flugelhorn and electronics and Phil Skaller on prepared piano. Jeff is
a restless explorer on trumpet and flugelhorn, always searching for other like-minded musicians to work with. Kaiser has
done a number of duo discs before this, each one unique depending on his partner. Mr. Skaller seems to work mostly
inside the piano, banging on the strings with assorted objects. Kaiser continually alters his sound with mutes or
electronic devices, as well as playing some strange synth sounds. This is a particularly intense and focused duo, always
working tightly together, complimenting and pushing each other. Although this music is completely (?) improvised, the
duo often create patterns which sounds closer to modern chamber music. Reminding me at times of recent discs from
Ernesto Martinez and David Rosenboom. This is an extraordinary duo and one of this year’s most challenging
efforts on a variety of levels. – Bruce Lee Gallanter, Downtown Music Gallery                                                            Show Demonoid some love
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